—Robin Romm, New York Times Book Review

“Shaw has worked the great tradition of European fairy tales and come up with an ingenious story. . . A magical fable of fate and resignation.”

—The Guardian

“Ali Shaw has written a rare orchid of a book, beautiful and eccentric and exquisitely sad.”

—Patrick Ness,

author of Monsters of Men

“Ali Shaw has created a memorable addition to [the] fabulist pantheon in his gorgeous first novel, The Girl with Glass Feet. . . . Over the course of this eerie, bewitching novel, the mixture of love and grief and the imminence of death become as memorable as Ida’s mysterious, dreadful transformation and Midas’s more achingly human one. . . Shaw acknowledges the influence of writers like Andersen, Kafka and Borges (Shaw's menagerie of perfectly detailed, marvelous creatures could have stepped from the pages of "The Book of Imaginary Beings"). But it’s Andersen’s melancholy tales, steeped in loss and a brooding sense of fatedness, that shimmer around the edges of The Girl with Glass Feet. Every character in this novel yearns for a love that seems just out of reach: Midas's unhappy parents; Henry Fuwa; Carl Maulsen, who loved Ida's mother; Emiliana, the island woman who might have a cure for Ida's illness; Ida herself—all of them are bound by threads of betrayal and desire and hope, until Fate cuts those threads, calmly and without remorse.”

—Elizabeth Hand, Washington Post

“The Girl with Glass Feet is a love story, not just about two people falling in love, but also about love itself: its power, its limits, and its consequences. . . . The Girl with Glass Feet is a classic questing tale: two young lovers searching for a holy grail. . . . Full of magical surprises. . . . Midas is reminiscent of another improbably romantic lead: Quoyle of E. Annie Proulx’s The Shipping News. Like Quoyle, Midas’s character acts as a passive fulcrum around with the increasingly dreamlike characters and plot developments of the novel spin. Midas Crook. Glamsgallow. Gurmton. The names of places and people are positively Dickensian. There are, in fact, Victorian touches everywhere. And although Shaw’s novel is set in the present, everything’s turned askew, resulting in a world that is at once banal—the car won’t start; the coffee’s getting cold—and fantastical—glass feet; glass hearts. Shaw makes the crucial decision to leave the human emotions and relationships in the realm of the believable, while embedding them in terrain that is ever so slightly surreal. Somehow it’s never implausible. Shaw is at his best when describing the fantastical world he’s created. His language manages to be poetic and economical, choosing one unexpected word to convey a scene and a feeling. Here, ‘blooms of fungi’ on a tree are ‘cork roses,’ and the sea is ‘as dark as vinyl.’ Animal, vegetable, and mineral are perpetually clashing in this book: glass against flesh, rock against blood. . . . The look, the sound, and the scent of St. Hauda’s Land stay with you after turning the last page of this beautiful novel.”

—Buzzy Jackson, The Boston Globe

“Ali Shaw’s engrossing and moving debut novel . . . is a story of a strange land and its strange inhabitants, but at heart it’s a sincere but unsentimental love story. . . . The joy that Ida and Midas share, after Midas takes those first risky steps toward love, is so beautifully captured that their happiness beats back the drear and shadows. . . . The dreamy atmosphere curls around you until you see, hear and smell the moors and bogs. . . . The ending bridges the gap between fairy tales old and new.”

—Lisa McLendon, Wichita Eagle

“British writer Ali Shaw's fantastical debut novel, though entirely original, is reminiscent of other strange stories--of Alice in Wonderland and Harry Potter, of the weird characters in ‘Pirates of the Caribbean’ and Tim Burton movies, of Germany's Brothers Grimm and South America's magical realists. It's an oddball love story set in the isolated, cold, moldy, foliage-choked, bug-rich, fictional archipelago of St. Hauda's Land, where a young woman named Ida is horrified to find her toes, then her feet, turning to glass, a transformation that's clearly spreading north. . . . Whether you read it as science fiction, fairy tale, fable, allegory, mystery or magical realism, The Girl With Glass Feet is weirdly beautiful and highly entertaining.”

—Pamela Miller, Minneapolis Star-Tribune

“Ali Shaw shows immense promise with his deft use of language, which sings in a book that is at its heart filled with sadness. The soft light on the island plays coyly with the thick vegetation, casting glorious shadows and producing a riot of images all ably captured by Midas’ camera and Shaw’s prose.”

—Vikram Johri, The Chicago Sun-Times

“Ali Shaw has a gift for storytelling and an obvious love of language. His descriptions are poetic and original. . . . The Girl With Glass Feet is a work of great imagination and talent. Mr. Shaw never tells us what causes the glassification, but that leaves the reader open to decide whether the tale is merely a modern fairy tale, or whether turning into glass is in itself a metaphor for a larger, human condition that creates change bringing moments of pain and pleasure.”

—Corinna Lothar, The Washington Times

“The cold northern islands of St. Hauda’s Land are home to strange creatures and intertwining human secrets in Shaw’s earnest, magic-tinged debut. . . . Both love story and dirge, Shaw’s novel flows gracefully and is wonderfully dreamlike, with the danger of the islands matched by the characters’ dark pasts.”

—Publishers Weekly

“Ali Shaw offers the rare delight of a world freshly and richly imagined. . . . The story is soothingly spellbinding, pulling the reader with steady delicacy into the hearts and minds of its characters amid the enthralling murmur of the fantastical.”

—Ariel Berg, The San Francisco Book Review

“This lovely fable is a chain of linked mysteries with accelerating suspense that propels the reader deep into Shaw’s world of marvels. That world is crafted with elegance and swept by passionate magic and the yearning for connection. A rare pleasure.”

—Katherine Dunn, author of Geek Love

“Written in the tradition of magical realists like Haruki Murakami and Gabriel Garcia Marquez, The Girl with Glass Feet is a singular, slippery narrative that defies easy categorization. Shaw writes finely honed prose and knows how to wring maximum suspense out of a tightly woven plot. His is an accomplished first novel—a hypnotic book with an atmosphere all its own.”

—Julie Hale, Bookpage

“Emotional entanglements on a faraway frozen island are shaped by romance and tragedy in a melancholic yet whimsical British debut. . . . [A] strikingly visual novel. . . . captivatingly ethereal.”

—Kirkus Reviews

“Combining magic realism, the conventions of a romance novel, and a British sense of practicality, this charming first novel creates a new fable.”

—Booklist

“The Girl with Glass Feet is not just special—it’s remarkable. . . . [This] debut novel conjures up the extraordinary and fantastic, yet places it firmly in our digital world. . . . It’s a very visual novel—readers who enjoy using their imagination will adore it.”

—Helen Peacock, The Oxford Times

“A haunting and magical tale. . . . One of the most original and memorable love stories I’ve read in a long time. . . . It takes a real talent to create such an imaginative setting yet still make readers believe and care about the characters, but first-time novelist Ali Shaw pulls it off in dazzling style, spinning an unforgettable story so vividly described that the reader is only too willing to suspend disbelief in order to be transported into his sad and lovely world.”

—Morag Lindsay, Aberdeen Press and Journal