Education
1990 School of Visual Arts, New York, Master of Fine Arts in Photography and Related Media
1988 The Colorado College, Colorado Springs, Colorado, Bachelor of Arts in Fine Art, Italian and Cinema Studies Minors
1987 Accademia di Belle Arti, Florence, Italia, Certificate in Fine Art
Grants and Awards
2013 Virginia Center for the Creative Arts Residency, Sweet Briar, VA
2012 Yaddo Artist Residency, Saratoga Springs, New York
2010 Berkshire Taconic Artist Resource Trust Fellowship
2007 New York State Council for the Arts Media Production Award
MacDowell Colony Peterborough Project, Commission for 100th Anniversary, New Hampshire
2006 CalArts Alpert Award, Nominee in Film/Video
New Hampshire State Council for the Arts Individual Artist Fellowship
2003 New York State Council for the Arts Media Production Award
Experimental Television Center Finishing Funds Grant
2000 Djerassi Resident Artist, Woodside, California; Hewlett-Packard Honorary Fellowship
Experimental Television Center Finishing Funds Grant
New York State Council for the Arts Media Production Award
1999 MacDowell Colony Artist Residency, Peterborough, New Hampshire
Harvestworks Media Artist-in-Residence, New York, NY
New York Foundation for the Arts Grant in Performance
1998 CalArts Alpert Award, Nominee in Film/Video
Jerome Foundation Grant
Pollock-Krasner Foundation Artist Fellowship
Experimental Television Center Finishing Funds Grant
MacDowell Colony Artist Residency, Peterborough, New Hampshire
Director’s Choice Award, Black Maria Film and Video Festival, Jersey City, NJ
1997 Experimental Television Center Finishing Funds Grant
Virginia Center for the Creative Arts, Sweet Briar, VA; NEA-Sponsored Fellowship
1996 Yaddo Artist Residency, Saratoga Springs, New York
1993 Light Work Artist-in-Residence, Syracuse, New York
1991 Aaron Siskind Fellowship
1988 Colorado College Venture Grant
Solo Exhibitions
2010 Athens Institute for Contemporary Art, Athens, Georgia
2007 Peterborough Historical Society, Peterborough, New Hampshire
2005 Brattleboro Museum, Brattleboro, Vermont
Kustera Tilton Gallery, New York, New York
2004 Samson Projects, Boston, Massachusetts
Sioux City Art Center, Sioux City, Iowa
2001 Julia Friedman Gallery, Chicago, Illinois
2000 John Michael Kohler Arts Center, Sheboygan, Wisconsin
1998 Anna Kustera Gallery, New York, New York
1996 Anna Kustera Gallery, New York, New York
1993 Inverness Museum, Inverness, Scotland
Worner Gallery, Colorado Springs, Colorado
CEPA Gallery, Buffalo, New York
1990 Gallery 721, Washington University, St. Louis, Missouri
1989 R.C. May Gallery, University of Kentucky, Lexington, Kentucky
1988 Galería Las Malvinas, Buenos Aires, Argentina
Group Exhibitions, Screenings and Performances
2013 Periwinkle Cinema, Artists’ Television Access, San Francisco, CA
Vital Signs: The Enigma of Identity, Pelham Art Center, NY
2012 Greenpoint Film Festival, Brooklyn, NY
Ups and Downs, An Exhibition of Video Art, Blue Door Gallery,Yonkers, NY
Currents, Third Annual International New Media Festival, El Museo Cultural de Santa Fe, Santa Fe, NM
Curator’s Corner, Quarterly Featured Artist of Aurora Picture Show website, Houston, TX
Queer City Cinema, 9th Biennial International Film & Video Festival, Neutral Ground Gallery, Regina, Saskatchewon, Canada
Speculation and Spectacle, an outdoor video installation & screening presented by Rogue Video &
Performance (May,)
and by the Greenpoint Film Festival (June,) Williamsburg, Brooklyn, NY
Fantasies and Fetishes, Göteborgs Konsthall, Göteborg, Sweden
2011 MIX NYC, 24th Annual Film Festival, “Opening Night” program and “Secret Identities” program, NY, NY
MIX Copenhagen, National Cinemateque, Danish Film Institute, Copenhagen, Denmark
Video Sculpture, DAAP Reed Gallery, University of Cincinnati, OH
Athena Film Festival, official NY premiere of Audrey Superhero, New York, NY
New Filmmakers New York, screening at Anthology Film Archives, New York, NY
Three Rivers Film Festival, US premiere of Audrey Superhero, Pittsburgh, PA
2010 Supers, screening presented by Aurora Picture Show at Discovery Green, Houston, TX
2009 Downstream, Thorne-Sagendorph Art Gallery, Keene, NH
The Intimate Line, Sepia International Inc. and The Alkazi Collection of Photography, New York, NY
Boob Tube, screening presented by Aurora Picture Show at Caroline Collective, Houston, Texas
Mayfair, screening presented by Women in Film and Video, New England, The Brattle, Cambridge, MA
2008 Now, Then, & Infinity: Harvestworks 30th Anniversary, Galapogos Art Space, Brooklyn , NY
A Gathering of New Hampshire Visual Arts Fellows: 1999-2009, Sharon Arts Center, Peterborough, NH
1% Water, Z33 Artspace, Hasselt, Belgium
2007 Stop. Look. Listen, Herbert F. Johnson Museum of Art, Ithaca, NY
2006 Mixed Emotions, Haifa Museum of Art, Haifa, Israel
2005 The Art of Breastfeeding, Catherine Dianich Gallery, Brattleboro, VT
2004 Beginning Here: 101 Ways, An Exhibition of works by 101 Distinguished SVA Alumni,
curated by Jerry Saltz and Rachel Gugelberger, School of Visual Arts Gallery, NY
Wonderland, Moser Performing Arts Center Gallery, University of St. Francis, Joliet, Il
Theater of Selfhood, curated by Jerry Cullum, Eyedrum, Atlanta, GA
Intimacy, curated by David Gibson, Brooklyn Fire Proof Inc., Brooklyn, NY
Sweet & Sour: A Fashionable Exhibition of Provocative Paradoxes, Salvatore Ferragamo
Gallery, NY, NY
2003 Not To Scale, curated by Euridice Arratia, Dorsky Gallery, LIC, NY
H2O, Western Gallery, Western Washington University, Bellingham, WA (Oct.’02-Jan. ‘03);
traveled to Elaine L. Jacob Gallery, Wayne State University, Detroit,MI (January-March’03);
Houngton House Gallery, Hobart and William Smith Colleges, Geneva, NY (April 03);
Danese Gallery, NY, NY (July 2003); Victoria H. Myhren Gallery, University of Denver, CO
(Sept.- Nov. ‘03); Santa Fe Art Institute, NM (Nov. ’03-Jan. ’04)
2002 Chicago! Chicago!, Cheekwood Museum of Art, Nashville, TN
Aquaria, curated by Barbara Wally, Oberosterreichische Landsgalerie, Linz, Austria (January/March);
traveled to Stadtische Kunstsammlungen, Chemnitz (April/May);
Museo d1Arte Moderna, Bolgna, Italy; Charlottenborg Udstillingsbygning, Copenhagen
Suspend and Levitate, Suzanne H. Arnold Art Gallery, Lebanon Valley College, Annville, PA
Dreamstreet, Sepia International Inc. and The Alkazi Collection of Photography, New York, NY
2001 Domestic Disturbance, The Salina Art Center, Salina, Kansas
The Cat’s Away: Twenty Women Artists, Sara Meltzer Gallery, New York City
Video Jam, curated by Michael Rush, Palm Beach ICA, Palm Beach, Florida
Pictures Patents Monkeys More...On Collecting, ICI touring exhibit curated by Ingrid Schaffner, various venues
2000 Uncomfortable Beauty, Jack Tilton/Anna Kustera Gallery, New York, NY
Brooklyn Zoo, Staatsgalerie Stuttgart, Germany, and Musee d’Art Moderne de St-Etienne, France
Threshold, Contemporary Art Center of Virginia, Virginia Beach, VA
Multiples: Selections from Pierogi 2000, Yerba Buena Center for Art, San Francisco, CA
Moving Pictures, Real Art Ways, Hartford, CN
Closed Circuit, New Langton Arts, San Fransico, California
Open Source, National Association of Artists Organization,
curated by Jennifer Charron, Thundergulch, Brooklyn, NY, June 22-25
Amy Jenkins, Harvestworks Screening, New York, New York
Havana Biennial, Centro Cultural España, Havana, Cuba
Video Art/Video Culture, The National Gallery of Art Film Theatre, Washington, DC
Me and my Friends, 57 Hope, Brooklyn, NY
Moving Image: Ten Years of Video, Anthology Film Archives, NY, NY
Hot Cam, Smack Mellon Studios, Brooklyn, NY
Body Language, Robert J. Shiffler Foundation Collection and Archive, Cincinnati, Ohio
One on One, Art in General, New York, NY
1999 Whichkraft? Trans-Hudson Gallery, New York, NY
Memory Boxes, Suzanne H. Arnold Art Gallery, Lebanon Valley College, Annville, PA
Self-Evident, Vaknin-Schwartz Gallery, Atlanta, Georgia
Threshold, John Michael Kohler Arts Center, Sheboygan, WI
Sound Foundations: Audio in Video, curated by Benjamin Portis, Center for Curatorial Studies Museum,
Bard College, Annandale-on-Hudson, NY
Assumed Identity, Wake Forest University, Winston-Salem, NC
1998 Southern Exposure, curated by Sean Gelb, Ambrosino Gallery, Miami, FL
Shake!, curated by Jane Harris, PS 122 Gallery, New York, NY
Switch On: Women, Art, and the Media, curated by Jennifer Groves, 57 Hope, Brooklyn, NY
New York Women’s Film Festival, Experimental Program, The Screening Room, New York, NY
Black Maria Film and Video Festival, Jersey City, NJ (awarded Director’s Choice)
Verbal: Visual Artists Read, reading/performance at Momenta Art, Brooklyn, NY
Hybrid No. 15: Ruth & Al’s Outpost/Kitchen Bonanza, The Kitchen, NY, NY
Spliced, curated by Yann Beauvais, sponsored by Emerging Arts Initiatives, The Void, NY
Dissolving the Walls: Video Artists Explore Fuzzy Logic, Art in General, NY
Selections from the New York Expo Experimental Program, The Knitting Factory, NY
1997 Current Undercurrent: Working in Brooklyn, Brooklyn Museum of Art, NY
First Look, Downtown Arts Festival, New York, NY
Selections from the Pierogi 2000 Flat File, The Gasworks, London, England,
and Corner House, Manchester, England
Know New York: Introducing Artists from Manhattan, Elizabeth Leach Gallery, Portland, Oregon
Versus III, Velan per l’Arte Contemporanea, Torino, Italy
Night, organized by Hoyt Brown, one-night exhibition at Life, 158 Bleeker St., NYC
Your Devoted Servant, curated by Monique Safford and Amanda Trager, E.S. Vandam, NY, NY
New York Exposition of Short Film and Video, The New School, New York, NY (awarded Jury’s Choice)
House, solo performance at Virginia Center for the Creative Arts, Sweet Briar, VA
1996 The Luminous Image, The Alternative Museum, New York, NY
Plastic Fantastic: Toys in Art, Art Museum of Western Virginia, Roanoke, Virginia
Kick Start, Anna Kustera Gallery, New York, NY
Circumstances Over Design: The Light Work Collection, Robert B. Menschel Photography Gallery, Syracuse University, Syracuse, NY
Selections from the Pierogi 2000 Flat File, Rupert Goldsworthy, Berlin, Germany
Momenta Benefit, Momenta Art/Ronald Feldman, New York, NY
Incestuous, Thread Waxing Space, New York, NY
The ‘L’ Word, Eighth Floor Space, New York, NY
Transmission from Babylon, Screening, The Knitting Factory, New York, NY
Open Video, Artist Space, New York, NY
Video Collections, 4C Gallery, New York, NY
1995 Multiples, Pierogi 2000, Brooklyn, NY
Other Rooms, Ronald Feldman Fine Arts, New York, NY
On the Verge, Two-person exhibition, Chassie Post Gallery, New York, NY
1994 Evolution: Digital Art, Ansel Adams Gallery, Yosemite, California
Focus 1994, Center for Photographic Art, Carmel, California
1993 Virtual Intervention, traveling exhibition: Inverness Museum, Inverness, Scotland;
Edinburgh Festival, Stills Gallery, Edinburgh, Scotland
The Fotofeis Roadshow, The Scottish Arts Council Traveling Gallery, Scotland
Contact/Proof, Jersey City Museum, Jersey City, New Jersey
1992 The Naughty Nude, 292 Gallery, New York, NY
Addressing the Forbidden, Traveling Exhibition: Edinburgh Festival, Stills Gallery, Edinburgh, Scotland;
Brighton Festival, Brighton, England
Still/Moving: The Human Figure in Contemporary Photography, Gallery 1708 East Main, Richmond, Virginia
Corpus6, City Without Walls Gallery, Newark, New Jersey
1991 Computers in Art and Design, Traveling Exhibition: Siggraph Conference, Las Vegas, Nevada,
The Computer Museum, Boston, Massachusetts
The Body In Question, Burden Gallery, Aperture, New York, NY
Erotic Desire, Traveling Exhibition: Perspektief Centre for Photography, Rotterdam,
The Netherlands, Den Temple Museum, the Kritzraedthuis, Sittard, The Netherlands
1990 Sexuality and the Politics of Obscenity, Hera Gallery, Wakefield, Rhode Island
New Directions, Barrett House, Charlotta Kotik, Curator, Poughkeepsie, NY
Rated X, Neikrug Gallery, New York, NY
Reviews
2009 The Wall Street Journal, “Cartier-Bresson and Others,” William Meyers, New York, NY, March 28, p. W12
The New Yorker, “The Intimate Line,” Vince Aletti, New York, NY, March 30
2008 Monadnock Ledger-Transcript, “Visual Arts Fellows Exhibit at SAC,” Dave Eisenstadter, Peterborough, NH, October 9, p. 18
2007 Monadnock Ledger-Transcript, “Art, Water and Serendipity on Grove Street,” Jane Eklund, Peterborough,NH,
December 13, p. 17, color repros
Monadnock Ledger-Transcript, “‘Water Windows’ wraps up a year of Peterborough Projects,” Karen Sampson, Peterborough, NH, December 6, p. 15, color repro
Ithaca Times, “Look/Listen,” Nancy Geyer, Ithaca, NY, Nov. 7-13, p. 31
2006 Monadnock Ledger-Transcript, “Visual Allegory,” Jane Eklund, P’boro, NH, Oct.12, pp. 22-23, color repro
2005 Vermont Guardian, “Beauty and the Breast,” Kathryn Casa, Brattleboro, VT, August 5-11,
pp. 15, 18, color repro
Weekend Reformer, “Flowing Into New Worlds,” Christine Holderness, Brattleboro, VT, June 25-26,
p.26, color repro
Brattleboro Reformer, “Once Censored, Often Praised, Jenkins’ Videos Find a Home at BMAC,”
Jon Potter, Brattleboro, VT, June 9, pp. 21, 29, color repro
2004 Art Papers, “Will Apple Pie Be Next?”, Jerry Cullum, July/August
WWD, “Art and Fashion as Bedfellows,” Sharon Edelson, May 17
NY Daily News, “Ferragamo: Mama mia!”, George Rush and Joanna Molloy, May 11
The Atlanta Journal-Constitution, “Theater of Selfhood,” Catherine Fox, Atlanta, GA, April 1
The Weekender, “What a Day for a Daydream”, Russ Gifford, Sioux City, IA, Jan. 29, p. 10, b/w repro
Sioux City Journal, “Art Center Exhibits First Video Installation”, Sioux City, IA, Jan. 16, p. 48
2003 The New Mexican, “Reflection on the Faces of Water”, Jo Ann Baldinger, Santa Fe, NM, Nov. 21-27
The New York Times, “Last Chance”, H20, Ken Johnson, August 22
The New Yorker, “H2O”, August 18 and 25, p. 22
Time Out New York, “H20,” Barbara Pollack, NY, NY, August 7-14, p. 67, color repro.
The Village Voice, Choices, NY, NY, August 13
Art Papers, Review, Barbara Miller, Atlanta, GA, March-April, p. 50
2002 The Bellingham Herald, “Source of Life,” Kie Relyea, Bellingham, WA, Oct 26, p. C4
Performing Arts Journal, #72, ”Floating Worlds, Amy Jenkins’s Dream Videos,” Fred Camper,
John Hopkins University Press, Baltimore, MD, pp. 87-91, color repros
The Daily News Journal, “Video Art”, Jessica Carter, Murfreesboro, TN, April 4, pp. D1, D4, b/w repro
Nashville Scene, “Points of View”, Angela Wibking, Nashville, TN, May 2, p. 31, b/w repro
2001 Art Papers, “Roiling with Talk: Artists and the Contemporary Domestic”, Dinah Ryan,
Atlanta, GA, Sept-Oct., pp. 18-23
2000 The New York Times, “Uncomfortable Beauty, Jack Tilton/Anna Kustera Gallery”,
Ken Johnson, New York, NY, Art in Review section, December 29, p.E42
Daily Press, Virginia, “Exhibit That Gets You Where You Live,” Mark St. John Erickson, October 15, p.14
1999 Art Papers, “Self Evident”, Review, Philip Auslander, Atlanta, GA, Nov.-Dec., pp. 40-41
The New York Times, “Togetherness in Solitude: A Fertile Chemistry”, Judith H. Dobrzynski,
New York, NY, Arts and Ideas section, September 23, p.9, 11, b/w repro
The Atlanta Journal-Constitution, “Selfhood is elusive in series of portraits,”
Jerry Cullum, Atlanta, GA, July 23, repro
Creative Loafing, Atlanta, GA, “Personality Profile,” Felicia Feaster, July 19, pp.37,40
Creative Loafing, “Video Voyeur: Video Artist Amy Jenkins at Vaknin Schwartz”,
Atlanta, Georgia, June 26, Vol. 28 No. 6, color repro
Make, “Making a Little Room”, Jo Leask, London, England, No. 83, March/May, p. 28, color repros
1998 New York Arts Magazine, NY, “Amy Jenkins, Video Installations,” Mark Zimmermann, July/August
1999 The New York Times, “Evoking the Fitful Passage to Womanhood”, Elizabeth Hayt,
New York, NY, Sunday Arts and Leisure section, May 10, p.50, b/w repro
Digital City, “Amy Jenkins: Almost Home”, on-line review @ http://newyork.digitalcity.com/culturefinder/jenkins.dci, color repros.
1997 Review Magazine, NY, The Year’s Five Best...,” Michael Rush, July/August, p.23
The Oregonian, Portland, OR, “Body and Droll,” Randy Gragg, July 25
ARTnews, “Amy Jenkins,” review by Constantine Akinsha, NY, June, p.130, b/w repro
Homenet Magazine, “Let there be Light,” review of “The Luminous Image” at the
Alternative Museum NY, Hong Kong, Issue 5, April, pp. 68-71, color repro.
Performing Arts Journal, #56, “Miniature Awakenings” Jennifer Dalton, John Hopkins University Press, Baltimore, Maryland, Spring, pp.82-87, b/w repros.
Art New England, “New Spaces/New Faces,” Michael Rush, Brighton, MA., April/May, pp.30-31, b/w repros
ArtwURL, “Reidme: Amy Jenkins,” Calvin Reid, review on the Internet, P.S. 122, NY
NY Soho Art Magazine, review of “The Luminous Image” at the Alternative Museum,
Susan Brooks, No. 6, NY, January, p.15
1996 The Village Voice, Choices, review by Kim Levin, Vol. XLI, No. 50, NY, December 10
NY Soho Art Magazine, Picks, Christopher Chambers, No. 5, NY, December, p.32
Review Magazine, NY, “Amy Jenkins,” review by Jennifer Dalton, NY, December 1, p.30
Review Magazine, NY, “Amy Jenkins,” review by J. Bowyer Bell, NY, December 1, p.34
1995 New York Press, Vol. 8, No. 17, New York, NY, April 26-May 2
1994 Photographer’s Forum, Volume 16, Number 4, Santa Barbara, California, September
Monterey County Herald, Monterey, California, October 13-19
The Journal of Regional Criticism, Colorado Springs, Colorado, April
1993 The List, Edinburgh, Scotland, August 13-19
Inverness Courier, Inverness, Scotland. June 29
Dumfries and Galloway Standard, Dumfries, Scotland, June 23
Press and Journal, Inverness, Scotland June 19
1992 Scotland on Sunday Magazine, Edinburgh, Scotland, August 16
The List, Edinburgh, Scotland, August 21-27
New Statesman, Edinburgh, Scotland, August
Richmond Times-Dispatch, Richmond, Virginia, July 4
Sunday Star-Ledger, Newark, New Jersey, April 26
1991 Computer Graphics World, Westford, Massachusetts, July
PixelVision, Number 5, New York, NY, July
Views, Volume 12, Number 2, Boston, Massachusetts, Spring
Outweek, Issue 86, New York, NY, February 20
N.R.C. Handelsblad, Rotterdam, The Netherlands, January 18
1990 The Phoenix New Paper, Providence, Rhode Island, November 21
1988 Clarin, Buenos Aires, Argentina, February
Catalogues, Books, Reproductions
2008 Zoom In, Zoom Out, “1% Water,” exhibition catalog, Z33, Hasselt, Belgium, pp. 152-169, color repros
Stop. Look. Listen, exhibition catalog, essays by Andrea Inselmann, John G. Hanhardt, Michael Rush,
Rudolf Frieling, Herbert F. Johnson Museum of Art, Ithaca, NY, pp. 150-161, color repros
Destination New Hampshire, “A World of Possibilities,” interview, Jen O’Callaghan, Manchester, NH, p. 26
2006 Mixed Emotions, exhibition catalog, Tami-Katz Freiman, Haifa Museum of Art, Haifa, Israel, color repro
2003 At the Johnson, “Video Art at the Johnson Museum,” Members’ Newsletter, Fall 2003, p.2
Annual Report, Herbert F. Johnson Museum of Art, “Recent Acquisition: Shelter for Daydreaming,” p. 20-21, color repro
Not To Scale, exhibition brochure, Euridice Arratia, Dorsky Gallery, LIC, NY, color repro
2002 H2o, exhibition catalog, Jo Anna Isaak, Hobart & William Smith Colleges Press, 2002,
pp. 14-15, 29, color repros
Aquaria, exhibition catalog, Barbara Wally, Oberosterreichische Landsgalerie, Linz, Austria, color repro
1999 New Media in Late Twentieth-Century Art, Michael Rush, Thames and Hudson Ltd.,
London, pp. 154-56, 158-9, color illustration #174
The MacDowell Colony 1998-99 Annual Report, Peterborough, NH, pp.18-19, b/w photo
The Independent, Film & Video Monthly, artcile on Experimental Television Center by
Michelle Coe, b/w repro. of “Trapped Wasp”, p.43, NY,July
Threshold, exhibition brochure, John Michael Kohler Arts Center, Sheboygan, WI
Tank, “Amy Jenkins @ Nylon,” Andreas Laeufer, Ed., London, England, pp. 276-279
1997 Bomb, “First Proof: Amy Jenkins”, Betsy Sussler, Ed., New York, Fall, pp.95-97
Dick for a Day, Fiona Giles, ed.; Villard Books/Random House, Inc., New York;
illustrations for book and website
1996 Simon Says: A Critical Guide, Volume Four, December 1996, New York
Amy Jenkins: Video Installations, exhibition brochure, Anna Kustera Gallery, New York, NY
The Luminous Image, CD-Rom Catalogue, The Alternative Museum, New York
Circumstances Over Design: The Light Work Collection, exhibition catalogue,
Robert B. Menschel Photography Gallery, Syracuse University, Syracuse, NY
1994 Contact Sheet, Number 80, “Amy Jenkins”, Light Work, Syracuse, New York
1993 Portfolio, Number 18, “The Shape of Things to Come”, Edinburgh, Scotland
Fotofeis: Scottish International Festival of Photography, “Virtual Interventions”,
exhibition catalogue, Fotofeis Ltd, Edinburgh, Scotland
CEPA Quarterly, Spring/Summer 1993, Buffalo, New York
1992 PixelVision, Number 8, “Through the Looking Glass of Amy Jenkins:
An interview by Judson Rosebush”, New York, New York
Portfolio, Number 14, “Undressing the Forbidden”, Edinburgh, Scotland
Addressing the Forbidden: Art Looks at Pornography, exhibition catalogue,
Stills Publications, Edinburgh, Scotland
1991 Computers in Art and Design, exhibition catalogue, ACM Publications, New York
Perspektief, Issue 40, “Erotic Desire”, Rotterdam, The Netherlands
1990 Aperture, Issue 121, “The Body in Question”, New York
Television and Radio Interviews
2004 Channel 4, CBS, Boston, MA, October 21
2002 KMNS, radio interview with Paul Guggenheimer, Sioux City, Iowa, February
KTIV Channel 4, Sioux City, Iowa, February
2001 CLTV Metromix, #85, television interview. Chicago, IL, November First
2000 ArtBeat!, television interview, Virginia Beach, VA, Ocotber 8
Guest Lectures
2007 Peterborough Historical Society, Artist Lecture, Peterborough, NH, December
Herbert F. Johnson Museum of Art, Artist Lecture, Ithaca, NY, November
Cornell University, Student Critique, Ithaca, NY, November
2006 Harvard University, Visual and Environmental Studies Department, Cambridge, MA, February
2005 Bennington College, Bennington, Vermont; Artist Lecture, October
Brattleboro Museum, Brattleboro, Vermont; Artist Lecture, June
2004 Sioux City Art Center, Sioux City, Iowa; Artist Lecture, February
New York University, New York, NY; Artist Lecture, Tisch School of the Arts, November
2000 Contemporary Art Center of Virginia, Virginia Beach, VA, Artist Lecture, September
2001 The New School, New York, NY; Guest Lecturer, Advanced Digital Moviemaking,
Department of Film and Communications, November
University of Connecticut, Hartford, CN; Artist Lecture, Department of Fine Art, February
1999 Vaknin-Schwartz Gallery, Atlanta, Georgia, Gallery Lecture, April
1996 New York University, New York, NY; Guest Lecturer and Panel Discussion;
Art, Culture and Society: The Body in Contemporary Art, December
Contemporary Art in New York, June
1993 Colorado College, Colorado Springs, Colorado; Artist Lecture and Student Critique, October
1992 Syracuse University, Syracuse, New York; Artist Lecture and Student Critique, September
Inverness Museum, Inverness, Scotland; Artist Lecture, June
Culloden Academy, Culloden, Scotland; Artist Lecture, June
1990 Washington University, St. Louis, Missouri; Artist Lecture and Student Critique, February
Collections
Akron Art Museum, Akron, OH
The Ansel Adams Family Collection, Yosemite, CA
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
Light Work, Robert B. Menschel Art Center, Syracuse University, Syracuse, NY
Mc Kinsey Corporation, NY, NY
The Progressive Corporation, Mayfield Heights, OH
The Robert J. Shiffler Foundation, Greenville, OH
Various private collections
Velan per l’Arte Contemporanea, Torino, Italy
Wake Forest University, Winston-Salem, NC
Professional Organizations
2000 to Present American Association of Museums, Media Coalition
1998 to 2005 Council Member, Virginia Center for the Creative Arts Fellow’s Council
1996 to Present AVIF, Association of Independent Video and Filmakers
Gallery Representation
Anna Kustera Gallery, New York, NY
Teaching Experience
2002 to 2003 Part-time Faculty, Rhode Island School of Design, Providence, RI;
Department of Sculpture/Department of Film and Video
1996 to 2000 Adjunct Assistant Professor, Queensborough College/CUNY, Queens, NY;
Department of Art and Photography
1995 to 2001 Adjunct Assistant Professor, New York City College of Technology/CUNY, Brooklyn, NY;
Department of Art and Design
1997 Part-time Faculty, International Center for Photography, New York, NY
Arts Professional Experience
1990-98 Jenkins Digital Design, New York, New York
1991-96 Jenkins Photographic Consulting and Printing, New York, New York
Master Printer and Photographic Consultant
1989-90 Aperture Foundation, New York, New York
Traveling Exhibitions Coordinator
1988-90 Burden Gallery, Aperture Foundation, New York, New York
Portfolio Review Coordinator
1985-88 Colorado College Admissions and Public Relations, Colorado Springs, CO
Director of Photography
1987 Phynque Photography, Colorado Springs, Colorado
Laboratory Technician
1984 Editorial Assistant, Illinois State Journal Register, Springfield, Illinois
Birthplace
Born 1966, Springfield, Illinois
